Title: | Confidencias No.2: Y tenía un lunar |
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Genre: | Canción |
Group: | José Bohr |
Voice: | José Bohr |
Music: | Bohr, José |
Lyrics: | Bohr, José |
Label: | Victor |
Matrix: | |
Takes: | |
Date: | 1940s |
Place: | Argentina |
Key: | |
Pitch: | |
BPM: | |
Time: | |
Who: | Piano: Vicente Bianchi |
Issues: | Victor 53286 B |
Tags: | #tango #guardiavieja #bohr |
Notes: | The date is a guess, Bohr left México for Chile in the 1940s, Biachi was a chilean pianist. |
Links: |
Title: | Confidencias No. 1: Pero tiene tu boquita |
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Genre: | Canción |
Group: | José Bohr |
Voice: | José Bohr |
Music: | Bohr, José - Bohr, Eva |
Lyrics: | Bohr, José - Bohr, Eva |
Label: | Victor |
Matrix: | |
Takes: | |
Date: | 1940s |
Place: | Argentina |
Key: | |
Pitch: | |
BPM: | |
Time: | |
Who: | Piano: Vicente Bianchi |
Issues: | Victor 53286 A |
Tags: | #tango #guardiavieja #bohr |
Notes: | The date is a guess, Bohr left México for Chile in the 1940s, Biachi was a chilean pianist. |
Links: |
Title: | Qué me importa! |
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Genre: | Tango |
Group: | Orquesta Típica Argentina |
Voice: | Martín Garralaga - Antonio "J." Utrera |
Music: | Bohr, José |
Lyrics: | Bohr, José |
Label: | Bayer |
Matrix: | 118-3 |
Takes: | 3 |
Date: | 1927-1928 |
Place: | New York |
Key: | |
Pitch: | |
BPM: | |
Time: | |
Who: | Accordion, 2 or 3 violins, cello, piano and double-bass |
Issues: | Bayer |
Tags: | #tango #guardiavieja #bohr |
Notes: | We include this track and side B of the same record (instrumental) because we believe the Bohrs assisted in its production by reuniting the remnants of the Gauchos to play in this promotion for Bayer’s Cafiaspirina (aspirin). We know that Garralaga was a friend of Bohr, and we think the other singer is Cuban baritone Antonio Utrera, though his first name is abbreviated with a J. The date is also questionable, the print ads came out Caras y Caretas on April 1929. |
Links: |
Title: | Qué me importa! |
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Genre: | Tango |
Group: | Orquesta Típica Argentina |
Voice: | |
Music: | Bohr, José |
Lyrics: | Bohr, José |
Label: | Bayer |
Matrix: | 117-4 |
Takes: | 4 |
Date: | 1927-1928 |
Place: | New York |
Key: | |
Pitch: | |
BPM: | |
Time: | |
Who: | Accordion, 2 or 3 violins, cello, piano and double-bass |
Issues: | Bayer |
Tags: | #tango #guardiavieja #bohr |
Notes: | Instrumental |
Links: |
Title: | Al que come perejil |
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Genre: | Canción |
Group: | José Bohr |
Voice: | |
Music: | Bohr, José |
Lyrics: | Bohr, José |
Label: | Victor |
Matrix: | MBS 90522/3 |
Takes: | 3 |
Date: | 1935 |
Place: | Mexico |
Key: | |
Pitch: | |
BPM: | |
Time: | |
Who: | |
Issues: | Victor 75160 |
Tags: | #tango #guardiavieja #bohr |
Notes: | A song from Bohr’s movie Luponini, el terror de Chicago. |
Links: | DAHR https://adp.library.ucsb.edu/index.php/matrix/detail/200020048/MBS-90522-Al_que_come_Perejil |